I admit, I love ancient monuments and archeological sites. One favourite of mine are the Pictish stones. First of all, their design is superb. It’s clear they were produced by a culture that appreciated a good crafter, though it feels a bit silly to say so. Are there cultures that do not? Secondly, those Pictish stones that are still out there in the open, especially those that are still in their original site, are often interestingly situated in the landscape. You can find them in the middle of a field, right on the roadside, on the church yard, on some ones private yard. Just like standing stones, they just are there like unmoving poles around which the landscape turns as time passes by. Thirdly, they are puzzling. Who were the Picts that made them? Why were they erected? What do the symbols mean? How were their sites chosen?
Last summer we planned our journey so that we could see the Pictish stones around Angus, Scotland. Though many stones remain in their original setting, many have been moved to various museums. The Meigle Sculptured Stone Museum has, like Historic Scotland’s webpage says, an impressive collection: 26 stones altogether. It’s a bit tricky to find the museum as it is a rather like a chappel in the middle of a residential area and behind a church. Just follow the signposts as you arrive to Meigle, but slow down or you’ll drive right past it, but it is worth the trouble! Oh, and it’s chilly in side.
I drew few sketches of the horses, of course. They are not that detailed, partly because of erosion, and they are formal but the best ones are really a live with movement and intention. As I drew and thought about the Picts and their mysteries, I realised that the carved horses were familiar. Then it hit me: they are very similar to the carved horses on Viking rune stones! I had seen some less that two months before in Sweden on a trip for students of art history in our university. It’s not an exact match, not at least to the ones I sketched, but made me think about the horses’ gait. The Pictish horses seem to be moving in tölt which is one of the five gaits of the Icelandic horse (see here for info and pictures). Nowadays Icelandic horses are a breed of horses native to Iceland, but could their ancestors have been the common breed of horses during the Pictish era (in Scotland until ca. 860 AD) in the northern coastal regions in Europe? What kind of contact did the Picts and the Vikings have with each other? The Vikings occupied Scotland and a large part of the British Isles at one point, but what was there before that?
If there’s a book about it, I want to read it.
QuinnCreative
Jan 16, 2012 @ 15:37:36
This page really does speak to me–the layout and information is just so beautifully done. I’d not heard of pictish stones, and I love the idea that they can be anywhere–a monument to the mystery of the past.
Kaisa Mäki-Petäjä
Jan 17, 2012 @ 09:38:41
Thank you very much, your comments really made my day 😀 The stones are like islands of past in the modern landscape. Ordinary standing stones, the stone age ones, are somehow more part of the landscape. They kind of belong more. The Pictins stones are more like spectres: more standing between the worlds than being in any. Maybe it’s because of the pictures on them. Many of them are recognisable, like the rides, but some are pure mysteries like the z-rod (looks like a staff or a rod bent into a z). What on earth could that mean? This makes me feel connected to the people who made them. I’m standing right where those people stood too seeing what they too saw. Now, if I just could get what they meant…
Russel Ray Photos
Apr 27, 2012 @ 02:30:44
I love history, which by its very nature includes ancient monuments and archaeological sites.